"Autoportrait froissé" "Crumpled Self-Portrait"

"Autoportrait froissé"
Fusain et craie blanche
25cm x 30cm


"Crumpled Self-Portrait"
Charcoal and white chalk
8" x12"

La bergeronnette

"La bergeronnette"
16'' x 20'' , charcoal and Conté.

50cm x 40,5cm, fusain et Conté.

"La moinette"

"La moinette"
16" x 20" , charcoal and Conté

50cm x 40,5 cm, fusain et Conté

"La bluette"

"La bluette"
charcoal and Conté, 16" x 20"


Fusain et Conté, 50cm x 40,5 cm.

"Les hautes herbes"

C'était la démonstration que j'ai faite pendant le dernier atelier de Fusain-Conté .

Fusain et Conté, 38cm x 38cm


This was my demo for the last Charcoal and conté workshop I taught.

Charcoal and Conté, 15" x 15"

Emma-study

Charcoal, white and red conté,
10" x8"

Fusain, conté rouge et blanc,
25cm x 20cm

Honorable Mention in the International 2008/2009 ARC Salon

My drawing "Somme" won Honorable mention in the Art Renewal Center competition !

Mon dessin "Somme" a gagné une mention honorable au concours de l'Art Renewal Center !

8 pages article in International Artist Magazine

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Many artists asked me some information about my charcoal and sanguine technique.
You can now read my article about the different steps, from concept to finished drawing in the last issue of the International Artist Magazine (#66)

Beaucoup d'artistes m'ont posé des questions à propos de ma technique au fusain et à la sanguine. Vous pouvez maintenant lire mon article sur les différentes étapes, du concept au dessin fini dans le dernier numéro de l' International Artist Magazine (#66)

Winter self-portrait / Autoportrait hivernal

Charcoal and white chalk
7,5" x10,5"


Fusain et crayon blanc
19cm x27cm

Grand prize winner !

"L'Épine" just won the grand prize in the portrait and figure competition of Canadian Brushstroke Magazine !

If you don't know it yet, you can subscribe for free to this excellent magazine: here.



"L'Épine vient de gagner le grand prix de du concours de portrait et figure de Canadian Brushstroke Magazine!

Si vous ne connaissez pas encore cet excellent magazine, vous pouvez vous abonner gratuitement : ici

Study

Charcoal and white chalk on watercolored paper.
12,5"x 8"


Fusain et crayon blanc sur papier aquarellé.
32cmx20cm

"Étude d'après modèle vivant" / "Study from life"

Fusain et Conté ( sanguine, rouge et blanc) sur papier teinté.
33cm x 23 cm.

/ Charcoal, sanguine, red and white Conté on toned paper.
13" x 9".

"L'Épine"

Fusain et Conté ( sanguine, rouge et blanc) 69cm x 46 cm

/Charcoal, sanguine, red and white Conté.
27" x 18"

Philadelphia workshop - Lighting techniques for photo references.

Philadelphia Workshop

Philadelphia portrait artists participated in a workshop given by award-winning portrait and figurative artist Marina Dieul. Marina's day-long class included portrait painters Alex Tyng, John Ennis, Ellen and Addie Cooper, Garth Herrick, Jim Himsworth, Barbara Lewis, and Simon Mauer.

The group met Marina at the Portrait Society of America's Conference in Philly earlier this year. Impressed with her talent and expertise in minimalist photography they organized the workshop and invited her to share her unique methods of creating fine quality photographic reference for portrait painting with lightweight, inexpensive equipment and accessories.

Traveling portrait artists know the burden of lugging heavy, bulky equipment, especially since airline restrictions have become limiting. Sittings often must be completed in a short amount of time and under less than ideal lighting conditions. Marina's minimalist approach helps relieve these burdens, allowing artists to focus more on their creative process

The workshop centered around the idea of the off-camera flash, a technique that is touted by photographers on such web sites as Strobist.com. A portrait painter herself, Marina has adapted many of the photographer-oriented techniques for the artist’s use, demonstrating how to vary the temperature, sharpness/softness, intensity and angle of light, using a variety of techniques and accessories. These accessories she has chosen carefully for their compatibility, versatility, and portability. Some of them she has designed and created herself out of inexpensive materials, at least one from a cereal box.

Recognizing that poor quality reference leads to poor quality art, Dieul emphasizes the importance of mastering photographic skills, but she is by no means encouraging the idea that painting is merely the slavish copying of photographs. On the contrary, she believes that by understanding how to create the highiest quality reference, artists can achieve more control over their artistic vision. In her own work, Dieul's commitment to excellent photographic reference is an integral first step in an artistic process that far surpasses the reference.

Following the all-day photo workshop the artists met the next day at the Philadelphia Sketch Club, where Marina agreed to pose for a live painting session.

Born into a family of French and Canadian artists, Marina Dieul received a degree in Fine Arts in France. Since that time she has won an impressive number of awards, most notably the Grand Prize at the Junction Art Festival in Toronto, Honorable Mention from the Portrait Society of Canada, and First Place in Dry Media Category from the Richeson Portrait and Figure Competition. Her work was also honored by The Artist’s Magazine, International Artist Magazine, and the ARC Salon Competition. Dieul is an honorary member of the Gallery of Canadian Drawing Masters, Drawing Society of Canada. Recently her work was featured in the exhibition “A Portrait: The Face we Present to the World,” John B. Aird Gallery, Toronto. Her work combines sensitive and iconic portraits with still life and trompe-l’Oeil.

(Photo: Garth Herrick)

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Fusain et conté sur papier aquarellé / Charcoal and conté on watercoloured paper.

10" x 14"

Adam

Fusain et sanguine / Charcoal and sanguine

12" x 16"

"The Bell"

Fusain et sanguine / Charcoal and sanguine

16" x 20"













Canadian Brushstroke Magazine
Sept/Oct issue
Finalist
Receives award certificate:

MARINA DIEUL
Montreal, QC
The Bell, Charcoal and Conté, 20 x 16”

I’m a tonalist, and I’m never satisfied if I don’t have a
full range of values, says Marina Dieul. “For this
reason, I like to add some white accessory, and to
sculpt my subject with light on a dark background. I
worked with four colors: charcoal, and three colors of
conté: sanguine, red and white.”
“This drawing is also about textures, the softness of
the fur and hair against the roughness of the old
Chinese bell, all this enveloping the mysterious gaze
of this little girl.”
Dieul studied Fine Arts in France but she is selftaught
concerning figurative arts. She received an honorable
mention in the Portrait Society of Canada’s
competition, won first prize in the Richeson Portrait
and Figure competition, Grand Prize in Junction Art
competition ( Toronto), and has been finalist in numerous
competitions.
She is a professional portrait artist specializing in
babies’ and children’s portraits.
You can email her at marinadieul@yahoo.ca or see
more of her work at http://marinadieul.blogspot.com .

" Portrait d'un jeune taureau" / " Portrait of a young bull"

Sauce on paper. 16" x 20"

" Somme" / " Summer nap"

Fusain / Charcoal

16" x 12"

I'm happy to announce that this drawing is chosen to be published in the upcoming North Light Books publication : Strokes Of Genius 2 . ( Available in 2009)

Exposition / Exhibition

"Dévoilement" sera présenté à l'exposition :
"UN PORTRAIT : Le Visage que nous présentons au monde "
Du 4 Mars au 27 Mars 2008
À la galerie John B. Aird à Toronto

Édifice MacDonald, 900 rue Bay, Toronto, Ontario. Tel: 416 928 6772.



"Unveiling" will be featured in the exhibition :
"A PORTRAIT:The Face we present to the world "
March 4th- March 27th, 2008
at the John B. Aird Gallery, Toronto.

MackDonald Block, 900 Bay Street, Toronto. tel: 416 928 6772

Opening reception is on Thurday March 6th, 18:00-20:00

Image by Irena Korosec

Sanguine

Sanguine,
12" x 16"